Showing posts with label I love Drama. Show all posts
Showing posts with label I love Drama. Show all posts

Memoirs of a Geisha

Posted by Divya at Thursday, June 23, 2011 3 comments





I had watched snippets of the movie based on this book many years back. It had confounded me to no end, especially since I had watched in bits and pieces and drawing the story from my husband, only emerged a disgruntled “Oh something about high profile prostitutes” and that was that. So a couple of weeks back, I found an old copy of the book at my town’s library sale and decided to grab it, primarily to find out who a Geisha really is!

Let me start off my saying that this book is a clear formula of ‘rags-to-riches’ we have read in many novels; but, it is the setting of the story in a little known neighborhood and the effort to unfold the mystery of being a Geisha, that is its selling point.

The writing is in first person and enraptures the reader enough to burn the reading lamp through the night. The author makes no mistake in taking us to the streets of Gion, the Geisha district, buzzing with tea-house parties and matriarchal okiya houses that run the show; he does this with absolute panache, that mid way through the book, you are more than just a reader, but a spectator, smelling the smells, drinking the tea and watching that world unfold before our eyes.

In a haunting and wise tone Nitta Sayuri, narrates her life since she was a child and the reader sympathizes easily with her pain and suffering as the story begins. And just like her poetic references and lyricism laden descriptions, her childhood and everything she fought for vanishes as the story twists to offer her a whole new life and even a new name.

It is in fact fascinating to understand the life of Geishas, who are entertainers and work very hard to master music, dance and even indulge in witty conversations. The painstaking efforts they make to dress, makeup, learn to smile and appease, keep company to men; it is but ironic that all this eventually is to be taken as a mistress to someone worthy. Further confounding is the concept of the danna to whom she offers necessary sexual favors in return for financial independence.

While all these puzzling details of a Geisha’s life can throw a reader into misunderstanding and wondering the moral and ethical sides of the story, it is often forgotten in the way the tale takes many mellifluous turns and keeps one engaged on what comes next.

Unfortunately in all its glamorous setting, the book did let me down in a few places. Sayuri’s character takes a setback towards the end of the book, when she comes out as manipulative and deceiving as some Geisha’s are expected to be. It is not clear if the author lost all interest and was in a hurry to end the book. Further the story in the last few pages, tips over to being an absolute fairy tale and one can’t stop but wonder if the ending is all influential of Cinderella!

Other than these few points that catch the reader off guard, it is definitely a book for the keeps. If you haven’t already read the book, I would highly recommend it, even with its little flaws, it is a beautifully rendered novel and the seductive tone of Sayuri is absolutely alluring!

I Won!

Posted by Divya at Wednesday, November 25, 2009 2 comments
I won the giveaway of the hardback copy of hosted by Shona -

Mood - Excited to read the book! :) :-D It will be my first of Michelle Moran.

A disobedient girl

Posted by Divya at Monday, November 23, 2009 5 comments

By Ru Freeman

My last but one destination for the Orbis Terranum, was Sri Lanka; a land so familiar yet strangely unknown. This debut novel of Ru Freeman was a charming peek into Sinhalese-Sri Lanka - A breather of class, political turmoil and the women who are caught in the web of unperceivable changes.

At the center of the novel is Latha, the protagonist, who is difficult to be loved, but stands out for her dignity and unbreakable spirit. She is introduced to us as the servant, who also doubles as the childhood companion of Thara, the one bestowed with luxuries and status that money can buy. The life of these two women, since the time they are girls is interwoven with a great many moments of humility, love, pain that comes with it and an unattainable secret. It is interesting how by social strata Latha the server and Thara, the giver, are different, yet in life they are so impossibly human with the same wants.

As Freeman brings this uncanny friendship through immensely eloquent writing, she surprises the reader with the character of Biso, a mother of three running from a tyrannical husband. The reader is thrown into a pendulum ride alternating between Latha and Biso, chapter after chapter; while she leaps through Latha’s life in years, the story of Biso spans seventy two hours. Although the link was difficult to make as the book warmed slowly, the parallelism of the narrative takes shape eventually. Once the stories of Latha and Biso are tenuously tied, it is only an anxious wait through pages, unknowing what tragedies loom to the finish.

The men in the novel, from Mr. Vinthage to Gehan, are all displayed as weak. But in the back drop of the intriguing women – insolent and domineering Mrs. Vinthage, determined and ambitious Thara, resolute Latha, sensitive and bold Biso, the men are but unfastened links to bring their lives together.

Freeman’s writing is beautifully expressive. One only needs to close the eyes and imagine the tea estates, rich and poverty stricken Colombo, the political unrest and the calming sea-smell that wafts so easily. I totally loved the descriptions of food and flavor that more than aid in ones understanding of a nation. Even the use of Sinhala language in the right places for that perfect affection and impact left a wonderful after-tone.

If there is anything I would change about the writing, it would be to let the story flow and not be confined to the strict cyclic chapter intervals. Her characters, so brilliantly human with flaws manifold, stood their ground and did not emanate sympathy and sadly didn’t make it easy to love them either. As the novel ended, I could feel the heart-break, but it wasn’t walloped enough to leave me exhausted. I could close the book and not be haunted.

I definitely look forward to more from Freeman and recommend this book to all who wish to take a peep of Sri Lanka from a discreet stand point.

Kane and Abel

Posted by Divya at Tuesday, September 08, 2009 0 comments

By Jeffery Archer

Having found a lot of recommendation for this novel and having enjoyed a couple of Archer books, I decided to read Kane and Abel to understand the fervor that surrounded it. Honestly, I might have very easily transcended the book to be an all-time-favorite, if only, I had read it when I was sixteen. It so happens that the impact books create has a lot to do with age and some are ageless.

Aside from that bout of regret, I must say that I loved the book. In parts the pace of the novel was in tandem with the likes of Sidney Sheldon in its quest for power, wealth, slums to riches. But other than that, the story was extremely well rendered and a pleasure to read.

Summarizing the book may be unnecessary; I may be but a few left on the planet that read the book so late in life. I must however mention that it is a book that must definitely not be missed. It’s inspiring, exalting, heart-breaking yet intriguing! Many a times I wanted to shake the protagonists and ask them to let go of the stubbornness and futile rivalry; and like an answer, the ending left me numb, if not close to tears. I look forward to reading prodigal daughter sometime, to continue understanding a saga that I never wanted to end!

Mansfield Park

Posted by Divya at Wednesday, August 26, 2009 2 comments

By Jane Austen

When I read Austen, I give in my full; I devour each sentence slow and steady, to not miss the hidden ironies and meanings. It was the same with Mansfield Park; though, this book depicted societal anxieties and graceful feminism more than the usual ironic humor her other novels are full of. To say that Mansfield Park may be Austen’s most solemn work may be right in every way.

The central character of this story is Fanny, the girl who comes to live with her rich cousins, as a symbol of goodwill shown by a wealthy sister to a poor one - with an enormous family. Though shy and timid in the beginning, Fanny transcends to make Mansfield her home, learns to love and find happiness, even though she is constantly reminded of her position and liberties in comparison to her cousins who share the same roof. And as the story progresses, Fanny returns to her own family many years after, only to realize that her heart resides at Mansfield, even though it has its painful moments.

There is a clear merit of countenance and attitude that is depicted in each character of the story. While Austen comments on the impact of a change in morals based on “London ideals” which interferes with the traditions of a country side, she is also adept in mentioning that mismanagement and undue austerity can result in rendering a house-hold in tumult. Such is the foundation of the novel; where she portrays Fanny to define scrupulousness in a society that is tending to be fluid.

Though quiet and demure by nature, Fanny is what one would define a mature feminist, as the story evolves. She is all calmness and propriety, yet never deters from her principles for anything or anybody. Sometimes the distinction is so blatant, one is to wonder if Austen deliberately, wanted to compare good and evil; love and compromise.

Then again, nothing is evil forever; even the most immoral character, shows remorse and has moments of reform. There are also philosophical endeavors and moments to welcome change, which is natural. And all of this is done in shades of black of white; while Edmund’s compassion and attachment is handled with patient disposition, Maria’s is all edginess and amoral; while Miss Crawford is blunt and impolite in her wants, Fanny is modest and all-enduring.

All in all, though I did not enjoy this novel the way I loved the other Austen books, it was indeed a pleasure to read. Take up this classic to draw in a complex, severe and compassionate world, so well rendered to burn the reading lamp.

Peony in Love

Posted by Divya at Wednesday, July 29, 2009 1 comments

By Lisa See

Reading this book is like being caught in an abeyance of disbelief; for the story is a coalesce of myths, beliefs and mayhem of imperial China, so much that even life after death is depicted in all its apparent utopia. That said it is also one of the most passionate tales, crafted in conformance to the famous Chinese opera (The Peony Pavilion ) and the publication of ‘The three wives’ commentary’ of that work.

The story unwinds through the narration of the protagonist, who is the sixteen year old Peony, the typical nubile of fragrant bound feet, eyelashes like bamboo leaves, painter of lilies and all that was the view of the perfect daughter-wife-mother in that era. However, like in life, the perfection is not contained and Peony falls in love with a man she meets at the opera, though she is betrothed by her family to a suitor she hasn’t met.

The author gracefully takes the story to a whole new dimension; she boldly hints at the female strength of mind and emotion in a period that succumbed women to the inner chambers and away from worldly matters. The melodrama ensues with Peony dying of lovesickness, caused by undue indulgence in the opera ‘The Peony Pavilion’ and her state of having fallen in love. While this is nothing but the present day anorexia, the desperate attempt to control one’s life and to be heard.

From here on, the recitation is told by Peony’s apparition. Here the various customs and credence of life of the dead is well rendered, transforming the reader to a suspension of fantasy. Peony’s struggle even after death to find the love she died for and cause her writings about the opera to be heard to the world fills the reminder of the book.

The twists in the tale and the complexity created by love and death, is written in elegant lucidity - of passion, fear and poignancy. The dynamics of the relationship of Peony with other women of that genre, including her mother and dead grandmother take center stage to move the story further. The author concludes with fervor, the impact women's poetry and writings had on the way their world looked at them.

The book is heart-wrenching yet valiant; it is passion’s apotheosis; it is a book you might devour and apprehend. But it is certainly a book you must not miss.

My Sister's Keeper

Posted by Divya at Monday, April 27, 2009 2 comments

By Jodi Picoult

I had picked the book solely based on the Author's reputation for page turning fiction. I am glad I read this one, for I am already a fan.

Living life as a spare part for her ailing sister is what the protagonist Anna seems to battle as the story begins. Picoult renders the controversial designer-baby balking and wanting rights over her body situation through the view points of all the characters that play a part. It helps look at this sensitive issue in a multi-dimensional way and keeps the reader unbiased.

The book has enough and more surprises stored and some leave you teary-eyed by just reading the truth as is. If honesty is the book's forte, sarcasm that leaves you ticklish is its accomplice. The author does this through one of the most interesting and prime characters, Campbell, Anna's lawyer.

Understanding one's purpose of existence is what the book finally drives at and serves it with enough suspense, court-room drama, courage and love. I only wish I had been prepared for the ending which was perfect, yet left me feeling defeated.

Read the book not as fiction, but put yourself in all the shoes, devour the core of the situation and you will see yourself part of this labyrinth, seeking justice on all sides.
 

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